stonehenge 2012


Fire Garden at Stonehenge 11th / 12th July 2012   
A magical, sensory experience awaits you as Stonehenge is transformed into a glowing fairytale. Fire Garden Stonehenge Tour 2012
Exclusive Guided Tour from London operated by ‘The Stonehenge Tour Company’

As the sun goes down over one of Britain’s most iconic World Heritage sites, French outdoor alchemists Compagnie Carabosse fan the flames of our imaginations with an elemental Fire Garden.

A magical, sensory experience awaits you as Stonehenge is transformed into a glowing fairytale environment where fire sculptures dance in the landscape, mysterious fiery engines illuminate the stones and flaming fire pots and cascades of candles line the pathways.

“A unique opportunity to walk amongst the Stones* at sunset and enjoy this gloriously atmospheric feast for the senses.”
“A once in a lifetime opportunity”

Maria Bota, Festival Director said:

“We aim to inspire, entertain and make moments which transform people and spaces. Our thanks to the remarkable Compagnie Carabosse for their beautiful fire garden creations, to English Heritage, with whom we have worked for many years at Stonehenge, for their continued collaboration and to London 2012 for enabling us to bring this idea to flickering life.”

Carabosse have staged their striking installations across Europe. Each event is unique to its specific location, and here they ignite their creative spark to create a remarkable moment in the historic Wiltshire landscape.

PRACTICALITIES AND TIMINGS The guided walk to Stonehenge from the Fire Garden Car Park to the Fire Garden at Stonehenge is around 1 kilometre, about a 15 minute walk, through National Trust farmland. You will have a beautiful view before you of Stonehenge and the Fire Garden in the landscape. Sensible footwear is definitely advisable as the land is agricultural and the route includes some sloping ground.

*IMPORTANT Please do not climb, stand on or lean against the stones. This is in the interest of personal safety and protection of this special site. As well as putting the stones themselves at risk, climbing on them can damage the delicate lichens. This includes the stones that are fallen.

HighlightsFire Garden at Stonehenge
Stonehenge Stone Circle close up
Includes Entrance Fee
Luxury Midi Coach Travel Minimum 2 hours at Stonehenge
Stonehenge Expert Guide Services
Fire Garden Experience

Bookings and information: http://www.stonehengetours.com/stonehenge-fire-garden-tour-july-2012.htm

The Stonehenge Tour Company – www.StonehengeTours.com

Olympic project was almost scuppered by discovery of similar inflatable monument created two years previously

Two thousand people a day have come to frolic on Jeremy Deller’s latest artwork – a bouncy castle that is a precise replica of Stonehenge. Men, women, children: all leap, stride and somersault on Glasgow’s new favourite playground before it travels south to become one of the attractions of the London 2012 festival.

A neat idea, you might think. Sacrilege, as Deller has called his work, is not only a lot of fun (it is impossible not to smile when you shed your shoes, dignity, and understanding of gravity), but also thought-provoking.

The artist has transformed a great symbol of British history into a party. In real life, you cannot get near Stonehenge. Open to myriad interpretations and fantasies over its long history, it has now been given yet another existence through Deller’s impish version of a grand public sculpture

It turns out that Deller is not the first artist to have made an inflatable megalithic monument. In 2010, two years before Deller’s work was launched at the Glasgow International art festival, Jim Ricks, a California-born artist, Galway-based, unveiled his Poulnabrone Bouncy Dolmen – a precise, double-size replica of a megalithic table tomb built around 6,000 years ago in the Burren, Co Clare. The work toured various locations in Ireland last summer.

So is this a case of plagiarism? Or sheer coincidence? Are bouncy castles having what in fashion is known as a “moment”? Why, after several millennia of human creativity, have two inflatable megalithic monuments come along at once?

Deller became aware of Ricks’ sculpture, he said, while researching a manufacturer for Sacrilege. According to Ricks: “Jeremy contacted me in October and I didn’t think much of it … I didn’t register who it was.”

“I consider it an identical concept,” Ricks told the Guardian. “In terms of the description of the work, they are incredibly similar,” admitted Deller.

But Deller said that the idea for a bouncy Stonehenge had long pre-dated Ricks’s Dolmen. He had originally thought of submitting an idea for bouncy-castle versions of historic sites to an Arts Council England-run public-art competition in 2009, but was too busy at the time. Finally, he decided to realise the idea for Glasgow International, with the London mayor’s office as co-funders.

“The Olympics people got really nervous in case Jim decided to sue us,” said Deller.

Happily for them, he was not minded to. In fact Ricks forgot all about it, until: “I spoke to the manufacturer by chance about six weeks ago and it dawned on me, so I decided to go over to Glasgow. Part of me was like, ‘I’m ruined!’ It was the same idea done bigger and more visibly. But another part of me is delighted because Sacrilege is awesome, Jeremy was a cool down-to-earth guy, and it’s nice to know we’re on the same wavelength … in a ‘great minds think alike, fools seldom differ’ way.”

“You can be generous about it,” said Deller, “and realise that two people can have a very similar idea. It is, after all, a very simple idea.”

According to Ricks: “Jeremy is a lovely man, and I have no reason to doubt his story.”

Where the works differ, perhaps, is in the nuance. “Sacrilege is a way for people – not just kids – to enjoy a historical monument that is supposed to be revered,” said Deller. “It’s comedic, it’s absurd. It could be something you’d see in a satire on the Olympics or on art. I like to think of it as beyond parody.”

Ricks said that his sculpture had come out of observing the power of the Poulnabrone Dolmen as a regional and national symbol. He added: “At the height of the Celtic Tiger period, on every special occasion there seemed to be a bouncy castle around. Bouncy castles became a sort of vernacular monumental sculpture. So I decided to bring those two things together, and create a sort of hybrid version of Irish identity.”

The story of the megalithic bouncy castles is not yet at an end. Deller hopes that Sacrilege will travel to Northern Ireland as part of its Cultural Olympiad tour. If it does, he will invite Jim Ricks to bring his Poulnabrone Bouncy Dolmen over the border to visit. Let the bounce-off commence.

Full article in the Guardian: http://www.guardian.co.uk/culture/charlottehigginsblog/2012/may/02/bouncy-stonehenge-glasgow?newsfeed=true

The Stonehenge Tour Companywww.StonehengeTours.com

Children were walking on air today after Turner Prize-winning artist Jeremy Deller unveiled his life-size bouncy castle… of Stonehenge.

The 20ft-high inflatable, called Sacrilege, is modelled on the prehistoric monoliths and was opened to the public on Glasgow Green as part of the 18-day Glasgow International Festival of Visual Arts Festival.

It was designed using detailed plans of the Salisbury monument and took two months to make thanks to the efforts of workers at Inflatable World Leisure, who Mr Deller said built the first ever bouncy castles in the UK.

King of the bouncy castle ... Jeremy Deller's Sacrilege at Glasgow Green is part of the Glasgow international festival of visual arts. Photograph: Jeff J Mitchell/Getty Images

King of the bouncy castle ... Jeremy Deller's Sacrilege at Glasgow Green is part of the Glasgow international festival of visual arts. Photograph: Jeff J Mitchell/Getty Images

 

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The 20ft-high inflatable, called Sacrilege, is modelled on the prehistoric monoliths and was opened to the public on Glasgow GreenThe 20ft-high inflatable, called Sacrilege, is modelled on the prehistoric monoliths and was opened to the public on Glasgow Green

Children were walking on air today after Turner Prize-winning artist Jeremy Deller unveiled his life-size bouncy castleChildren were walking on air today after Turner Prize-winning artist Jeremy Deller unveiled his life-size bouncy castle

His giant inflatable is one of the highlights of a festival programme featuring more than 130 artists at almost 50 venues across the city.

Mr Deller, who won the Turner Prize in 2004, said: ‘It has taken two months to put together so it is wonderful to finally see it up and being used by the public.

‘Stonehenge is a part of our history and it is such an iconic structure that I wanted to recreate it as accurately as I could.

‘We haven’t done it exactly but it is as close as we could get it. People should come down – it’s here for two weeks and it’s free.’

After appearing in Glasgow, the castle – the artist’s first major work in Scotland – will be taken on a tour of the UK.

Artist Jeremy Deller has a go on his installation in ScotlandArtist Jeremy Deller has a go on his installation in Scotland

The giant inflatable took two months to build and is one of the highlights of a festival programme featuring more than 130 artists at almost 50 venues across the cityThe giant inflatable took two months to build and is one of the highlights of a festival programme featuring more than 130 artists at almost 50 venues across the city

 

After appearing in Glasgow, the castle - the artist's first major work in Scotland - will be taken on a tour of the UKAfter appearing in Glasgow, the castle – the artist’s first major work in Scotland – will be taken on a tour of the UK

Other highlights at the Glasgow festival include solo shows by Glasgow-based 2009 Turner Prize winner Richard Wright, Adrian Wiszniewski and Karla Black.

Mr Deller added: ‘I couldn’t have done it without the help of Inflatable World Leisure who built the first bouncy castle in the UK, so they are good company to be in.’

The festival also includes the first UK show called Triumph, an installation of more than 2,500 discarded sporting trophies collected by Polish-born Aleksandra Mir, and an exhibition focused on Glasgow’s Socialist Sunday School movement that flourished in the early 20th century.

More than 90 per cent of the work on show during the 18-day festival is either new or previously unseen in the UK.

'Stonehenge is a part of our history and it is such an iconic structure that I wanted to recreate it as accurately as I could,' Mr Deller said‘Stonehenge is a part of our history and it is such an iconic structure that I wanted to recreate it as accurately as I could,’ Mr Deller said

There will also be a range of newly commissioned works drawing on other artistic disciplines such as dance, film and music.

Teacher Lynda Darrock, 31, visited the bouncy castle with children from Annette Street Primary School in Govan, Glasgow.

She said: ‘The children thought it was absolutely amazing. They were talking about it all day, I even had a go myself.

‘They keep asking if we are going back.

‘Jeremy spent lots of time talking to the children beforehand and afterwards asking if they enjoyed it. He was brilliant.

‘Some of the children have been to Stonhenge and they were blow away with how similar it is to the real thing. They had a great day.’

AND HERE’S THE REAL THING… THE MAGIC AND MYSTERY OF STONEHENGE

The Wiltshire monument was completed around 4,500 years ago and is believed to have taken around 35 years to complete.

The largest of the gigantic upright stones weighs about 40 tons – the equivalent of an articulated lorry.

A Time Team dig (for the Channel 4 show) in 2009 established that Stonehenge was built around the same time as Durrington Walls, another henge, or circular earthwork, two miles away.

The two adjacent henges were part of the same complex, with Durrington Walls the location for a massive Neolithic village that housed the workers who built Stonehenge.

The Time Team suggested that this site housed up to 4,000 people, which would have made it the largest Neolithic settlement in north-west Europe.

The Wiltshire monument was completed around 4,500 years ago and is believed to have taken around 35 years to completeThe Wiltshire monument was completed around 4,500 years ago and is believed to have taken around 35 years to complete

While the circle at Durrington Walls represented life and the land of the living, Stonehenge, encircled by burial mounds, represented the land of the dead, the team claimed.

The two were connected by the River Avon and the procession route from one to the other represented the transition from life to death.

It is thought that the stones used at Stonehenge were moved from Marlborough Downs, about 20 miles to the north.

Digs suggest that the area around the stone circle was used to bury the cremated remains of hundreds of people.

Other experts believe that it was a place for healing.

Meanwhile, a study earlier this week suggested Stonehenge could have been designed with acoustics in mind like a Greek or Roman theatre.

A team of researchers from the University of Salford spent four years studying the historic site’s acoustic properties in a bid to crack the mystery of why it was built.

While they could not confirm the exact purpose of the stones, the researchers did find the space reacted to acoustic activity in a way that would have been noticeable to the Neolithic man.

‘Stonehenge is very well known, but people are still trying to find out what it was built for and we thought that doing this research would bring an element of archaeology that so far hasn’t been looked at,’ lead researcher, Bruno Fazenda said.

He added the new area of acoustic science, named archaeoacoustics, could be helpful in the archaeological interpretation of important buildings and heritage sites, some of which may not exist in their original form, such as in the case of Stonehenge.

Because the site in Wiltshire is in a derelict state, researchers travelled to Maryhill in the U.S. where a full-sized concrete reconstruction of Stonehenge was built in 1929 as a memorial to the soldiers of WWI.

They were able to make proper acoustic measurements that allowed an investigation into striking acoustic effects such as echoes, resonances and whispering gallery effects.

The second phase consisted in the creation of a full 3D audio-rendition of the space using a system comprised of 64 audio channels and loudspeakers especially developed at the University of Salford based on Wave Field Synthesis.

This system enables an accurate and immersive recreation of what Stonehenge would have sounded like.

SOURCE – Read more: http://www.dailymail.co.uk/news/article-2132789/Stonehenge-bouncy-castle-comes-Glasgow.html#ixzz1sgMI1wJF

The Stonhenge Tour Company
www.StonehengeTours.com

Stonehenge has confounded archaeologists and academics alike since its early beginnings

Einstein once declared that ‘the most beautiful thing we can experience is the mysterious’, and this statement is particularly fitting as regards Stonehenge. It was declared a World Heritage Site in 1986 and retains its intensely spiritual and otherworldly ambience, despite the number of tourists it attracts. If you choose to visit this extraordinary site, ensure you also spend some time delving into the captivating areas that surround Stonehenge. Explore picturesque Windsor and beguiling Bath.

Modern archaeological techniques and a number of recent digs have helped to form new theories about the stones that constitute Stonehenge. However, their definitive use stays as enigmatic as ever; it is suffused with a continuing sense of mystery. Stonehenge stands as an authoritative witness to the once extraordinary civilisations of the Stone and Bronze Ages of around 3,700 BC to 1,600 BC. Similarly, its surrounding areas stand as testament to these mighty cultures.

There is no place on earth quite like Stonehenge. Its brooding, pervasive mysticism, its intense spirituality and its endless aura of mystery all combine to make it an inimitable, idiosyncratic landmark. Take a Stonehenge tour and discover just why it continues to fascinate and perplex people from all over the world.

You may not know that Stonehenge is not the only ancient site in this region. Yet, in fact, a mere 25 miles north of Stonehenge is the impressive Avebury complex, which is a robust contender to be the most grandiose of all the residual prehistoric earthworks in Europe. The Avebury stone circle is actually much greater than that of Stonehenge – but the stones are smaller. A strong benefit that comes of visiting Avebury is that you can in fact touch its stones. Woodhenge, which consists of a circle of wooden posts, is an even more obscure and oft overlooked landmark.

Theories as to the use of Stonehenge range from the eminently believable to the absurd. In the twentieth century, both Fred Hoyle and Gerald Hawkins fascinatingly argued that not only was Stonehenge used as an observatory, but also to calculate future astronomical events such as eclipses. Yet it is probably von Däniken’s theory about Stonehenge that has led to the most furore, conflict and general disputation. Däniken claims that either extraterrestrials, or humans who were aided by extraterrestrials, built Stonehenge. He then goes on to argue that Stonehenge is an exact replica of our solar system, including the asteroid belt.

Why not merge a visit to Stonehenge with visits to its nearby districts, which hold their own captivating and idiosyncratic attractions? A combination Bath and Stonehenge tour from London is one of the most extraordinary tours you can do. Bath is, without a doubt, one of the most absorbing destinations to explore in the UK. An especially great number of visitors assemble to view the extraordinary sunrise at the summer solstice.

Link: http://pressitt.com/smnr/Stonehenge-A-Sacred-Burial-Site/10709/

The Stonehenge Tour Company
http://www.StonehengeTours.com

A DEVELOPER has been ordered by a judge to demolish a Stonehenge-like structure on Achill Island, Co Mayo.

Mr Justice Brian McGovern, in the High Court, ordered Joe McNamara

Builder Joe McNamara, 'The Anglo Avenger', was ordered to tear down his Achill-henge structure by the High Court. The High Court ruled that the building, which is described as an ornamental garden, is in breach of planning laws

Builder Joe McNamara, 'The Anglo Avenger', was ordered to tear down his Achill-henge structure by the High Court. The High Court ruled that the building, which is described as an ornamental garden, is in breach of planning laws

(41), with addresses at Achill Island, Co Mayo and Salthill, Co Galway, to restore the site to its original state if An Bord Pleanala finds that it is not an exempted development.

The orders had been sought by Mayo County Council, which says the structure is an unauthorised development. It consists of a ring with 30 large columns, with tapping stones placed on top.

Mr McNamara had applied to An Bord Pleanala to have the structure deemed an exempted development.

The judge agreed toput a stay on his order until An Bord Pleanala has made its decision.

Mr McNamara was dubbed the ‘Anglo Avenger’ when he hit the headlines last year after driving a cement lorry emblazoned with the words “Anglo” and “toxic bank” to the gates of Leinster House.

Link: Irish Independent: http://www.independent.ie

The Stonehenge Tour Company
http://www.StonehengeTours.com

Don’t miss this opportunity to walk within the stones of Stonehenge before any visitors arrive, to venture into the religious landscapes of two of Britain’s most spectacular prehistoric sites and to have the latest ideas and archaeological discoveries described and put into the context of the monumental remains.  Based within the Cathedral Close in Salisbury
Stonehneg inner circle tour - close up

Day one

 Meet in the evening for an introductory lecture and dinner together in Sarum College in the beautiful Cathedral Close.

Day two

By coach to Avebury for a full exploration of the huge Neolithic henge, so large that part of the village lies within it. It is one of the largest and best preserved of 1300 stone circles known in the British Isles. Morning walk around the henge and along the ceremonial Avenue. We approach the stones of Avebury just as one would have done in prehistoric times.

Afternoon circular walk (2 hours) past Silbury Hill, the largest man-made mound in Europe. The most famous of its excavators crawled into an earlier excavation chamber and recorded later:

“the sides of the open chamber provided one of the most astonishing sights that I have ever seen…it was clear that this innermost mound had been covered by a series of conical shells or cappings…the effect was of finding oneself in an enormously complicated and highly coloured layer cake of gigantic size..”

The walk continues to the Long Barrow at West Kennet and a chance to explore the chambered tomb within. This kind of monument is the earliest known to have been built in Britain – in commemoration of the dead. Continue to the ‘Sanctuary’, a small, complex timber and stone circle on the top of Overton hill. Walking in our ancestors’ footsteps helps us try to understand their motives and methods. Disperse in Salisbury about 5.30pm.

Day three

Stonehenge for an early (7.30am) visit inside the stone circle before the public arrives. This will be followed by a walk (2 hours) through the wider religious landscape – the cursus, King Barrows and Stonehenge Avenue.

A short drive takes us to Woodhenge, where the remains of wooden post settings have been found – now marked by concrete. From here there is a good view over the huge henge at Durrington Walls, site of exciting recent excavations which revealed the settlement which may have housed the builders of Stonehenge.

Return to Salisbury Museum for a visit to the Stonehenge and Prehistory Galleries. We have arranged a private demonstration of flint-knapping in the gardens here, which is not only much enjoyed, but adds considerably to your understanding of the way in which our prehistoric forebears were able to fashion all manner of implements and tools from our good local flint supplies. In a world without metal technology this was a critical and highly sophisticated art. Disperse about 5pm.

Should you choose to arrive earlier or stay later, you might like to visit Old Sarum, the hillfort to the north of Salisbury which was later chosen as the site of our first cathedral, and of course our beautiful Gothic cathedral – straight in front of the College.

Fri 31st August – Sun 2nd September 2012
Link: http://www.barebonestours.co.uk/Europe/bare-bones-wessex-2011.html

More Stonehenge Tours: ‘The Stonehenge Tour Company
‘ – www.StonehengeTours.com

Close your eyes and picture a Druid. What do you see? Chances are a white bearded man in a white robe springs to mind, perhaps with a golden sickle and a bough of mistletoe, someone similar to Gandalf from Lord of the Rings, right? That’s what we’ve been conditioned to think of by both “historical” accounts from Roman and Greek contemporaries and Hollywood.

 

The Druids have long been associated with Stonehenge in popular imagination even though it was built thousands of years before the Celts came to Britain

The Druids have long been associated with Stonehenge in popular imagination even though it was built thousands of years before the Celts came to Britain

In reality, the Druids were a far more diverse group, young and old, including men (who were called Druids) and women (who were called priestesses). They made up the most powerful class of Celtic society. And unlike in some modern religions, they were free to marry, with Druids often marrying priestesses or either one marrying warrior nobles. There were some who voluntarily chose chastity, such as the virgin priestesses who guarded the sacred fire of the Goddess Brigid in Ireland before the coming of Christianity, but they were an exception, rather than the rule.

There were three groups of Druids:

  1. Priests – Led ritual, taught the young, and persevered the religious tradition of the tribe.
  2. Bards – Composed music and poetry that was believed to have a magical effect. A bard’s song was thought to be able to induce sleep, control mood and cause illness or death. The satire of a bard (also known as the Poet’s Curse) permanently ruined a leader’s reputation and so was often used by warring tribes against one another.
  3. Prophets – Divined the future through the reading of patterns in animal entrails,  tracks or flight patterns or  by casting of lots of sacred wood (similar to reading runes). Some also received messages from the gods and goddesses.

The head Druid was called the Archdruid and he was elected by his peers.

Power and Function
The Druids held great power. In Ireland, the Druids chose the King through a shamanistic ritual call The Bull Dream. In the Irish court, no one, including the King, could speak before the court Druid had spoken. The word of a Druid was final, even if a more powerful noble disagreed. If you went against a Druid ruling, he or she could strip you of your rights, barring you from religious ceremony and all tribal matters, rendering you an outlaw without tribe or purpose.

Although exempt from taxes and military service, it was not uncommon for a Druid to accompany an army into battle. A Druid could stop a fight with a single word, even if the local noble or warrior leading the fight disagreed. There was also a custom that solider would always yield his or her weapon to a Druid if they asked for it, even in the middle of a battle.

Becoming a Druid
Almost all Druids were recruited from the nobility. It is believed that training took nearly 20 years for a priest or prophet and 7 – 12 years for a bard (and this in an age when the life span was pretty short – probably no longer than 35-40). It is said that at one time there were 13 Druid colleges (yes, that’s what they called them) or centers of learning in Britain alone. All religious learning was done orally and so the Druids became known for their astounding feats of memorization (which are even more amazing  viewed through our modern, writing-dependant, ADD mindset). But that also meant much of their tradition was lost over time (I’ll go in-depth on their religious beliefs in a future post). It is known that the Druids had a secret written language known only to them called Ogham. Its letter were named for the sacred Celtic trees, but its purpose remains a mystery (theories name it everything from a method of accounting to a secret code for communicating with non-Latin speakers).

But not all who studied with them stayed for the long haul. Many children of nobility were there only to learn from the gifted mathematicians, astrologers and healers among them. It is also probable that they were great linguists, considering there were dozens of tribes at any given time in Britain alone, each with their own language (or at least dialect) and the Druids were known to communicate internationally with one another in Latin and Greek.

Persecution
The Druids underwent severe persecution by the Romans in Britain, because the Romans both feared and were jealous of their judicial power, ability to incite rebellion and religious sway. They routinely attacked Druid centers, cutting down their sacred oak groves and slaughtering the Druids. The most famous attack was on the Isle of Anglesey (then called the Isle of Mona) in 6o AD, which was so brutal that the event became known as the Rape of Mona. Still, the religion perservered until the late sixth century, when Christianity finally took over.

Links: http://www.stonehenge-druids.org/

The Stonehenge Tour Company – www.StonehengeTours.com